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Play offers soldier's perspective on Afghan war

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MikeL

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http://www.cbc.ca/news/arts/story/2013/01/07/this-is-war.html

Toronto play offers soldier's perspective on Afghan war
Canadian playwright Hannah Moscovitch probes difficult decision-making during combat
CBC News Posted: Jan 7, 2013 2:50 PM ET Last Updated: Jan 8, 2013 10:41 AM ET Read 0 comments0

Playwright Hannah Moscovitch has turned her focus to the experiences of Canadian soldiers in Afghanistan in her new play This is War, now being staged at Toronto's Tarragon Theatre.

It’s an offshoot of the Tarragon playwright-in-resident's work on the CBC Radio drama Afghanada, as well as one specific incident, which Moscovitch won’t reveal to prevent giving away the substance of the play.

Instead, This is War unfolds as four onstage characters — three soldiers and a medic — recount the event to an unseen person. Their stories unveil the kind of quick decisions soldiers must make on the ground. The play is set in 2008, as the Canadian Forces are holding Panjwaii, the most volatile region of Afghanistan.

"They're all speaking to an interviewer or journalist, who you don't see, and they're talking about why that incident occurred," Moscovitch explained to CBC News.

"In some ways, what they're dealing with is how much to talk about and how much to conceal."

Although Canada’s involvement in Afghanistan is almost over, Moscovitch remains interested in trying to convey the experience of Canadian soldiers, who fought a war in a foreign land while people at home debated the morality of their actions.

"I wanted to go right through the interview to the soldiers themselves. It is appropriate — really appropriate — to discuss the politics of war and that's what the media does and that's right," she said.

"For soldiers, it's just a totally apolitical experience: what it's like to live with killing people. Having done a 180 on your moral code for your country — what it's like to have to live with that."

Real life decision-making
Moscovitch is fascinated by the kind of decisions soldiers make in conflict situations and says she did a lot of research to make sure she understood the real-life incident and to remain respectful to those involved.

The 34-year-old playwright has a rising profile for creating works that look inside exclusive communities, from the children of former Nazis in her play East of Berlin to an orphanage inside the Warsaw Ghetto in The Children’s Republic. Her work on Afghanada gave Moscovitch rare access to the Canadian Forces — access that most writers don’t have. She recalled, for instance, the experience of posing a “rude question” to a sergeant.

"I asked what it's like to kill people and he said 'You make the call you think you can live with in the moment' — and that stayed with me," she said.

This is War stars Lisa Berry, Ari Cohen, Sergio Di Zio and Ian Lake. It is directed by Tarragon Theatre’s artistic director, Richard Rose. It runs until Feb. 3 in Toronto.

Afterward, This is War heads to Winnipeg’s Prairie Theatre Exchange and then to Chicago.
 
I think any venue that gives our soldiers a voice and enlightens the lives of fellow Canadians to the roles they've played and decisions they've had to make is of utmost importance...

...anything, at all, that opens a dialogue/debate on relevant and meaningful topics is necessary to the overall development of our society and what direction/stance it will take in the future.
 
Playwright Hannah Moscovitch has turned her focus to the experiences of Canadian soldiers in Afghanistan in her new play This is War, now being staged at Toronto's Tarragon Theatre.

It’s an offshoot of the Tarragon playwright-in-resident's work on the CBC Radio drama Afghanada, as well as one specific incident, which Moscovitch won’t reveal to prevent giving away the substance of the play.

Instead, This is War unfolds as four onstage characters — three soldiers and a medic — recount the event to an unseen person. Their stories unveil the kind of quick decisions soldiers must make on the ground. The play is set in 2008, as the Canadian Forces are holding Panjwaii, the most volatile region of Afghanistan.

"They're all speaking to an interviewer or journalist, who you don't see, and they're talking about why that incident occurred," Moscovitch explained to CBC News.

"In some ways, what they're dealing with is how much to talk about and how much to conceal."

( .... )

This is War stars Lisa Berry, Ari Cohen, Sergio Di Zio and Ian Lake. It is directed by Tarragon Theatre’s artistic director, Richard Rose. It runs until Feb. 3 in Toronto.

Afterward, This is War heads to Winnipeg’s Prairie Theatre Exchange and then to Chicago.
CBC.ca, 7 Jan 13

More on the show here or here.
 
Bumped with a more recent review this month from Ottawa:
"Why do I do anything?” asks Tanya Young, one of the characters in Hannah Moscovitch’s bleak and troubling This is War. “To distract myself for two minutes,” she answers herself, the words —like a line from a Samuel Beckett play — telescoping the futility, the confusion, the emotional disconnection that is her situation: that of a Canadian soldier in the volatile region of Panjwaii, Afghanistan circa 2008.

Master Corporal Young (Sarah Finn) is one of a Canadian Forces quartet stationed there. Also present is the young, wide-eyed recruit from Red Deer, Alt. Jonny Henderson (Drew Moore). He’s got a thing for Tanya.

The other two are Stephen Hughes (John Ng), a sergeant who’s been around the block more than once but seems as ill-equipped emotionally to command others as he is to command himself, and Chris Anders (Brad Long), a medic whose brusque exterior conceals a caring man.

In an interpretation of the play by GCTC that is for the most part powerfully resonant, the four reveal themselves, their relationships, and the joint operations incident that’s at the heart of the story in a manner that’s somewhere between dream, reality and memory.

At times they face us, the audience, as they tell, one by one, an unseen journalist what happened in Afghanistan. At other times, they enact occurrences. Events are sometimes re-run two or three times with small changes in costume (Brian Smith’s drab, dusty uniforms are as deliberately disheartening as his featureless desert set) so that we see the event from the perspective of each soldier involved.

That makes it impossible to get a fix on exactly what did happen and why. Time and place are similarly fluid as we move from firefights to a card game to post-mission, PTSD-laden recountings of events. Moscovitch’s point is that reality, a moving target even in civilian life, is almost completely unmoored in war ....
Apparently still playing in Ottawa for much of the rest of this month.
 
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